How to Overcome Radio Stage Fright
I’ll handle this question in one sentence: There is no way to overcome radio stage fright.
Every time I’m on the radio is the first time. Before every interview, I sit in front of my home altar, repeating my mantra so that my over-heated heart does not explode and squirt blood out of my ears. I’ve been this way as long as I’ve been talking on the radio.
It doesn't matter that the radio host is a good friend and has been a visitor at our house. Doesn’t matter that she’s really smart, loves my work and me, and wants me to succeed even more than my mom did.
What can you do to overcome radio stage fright?
- Know your material. That should be easy. You wrote it.
- Make a detailed outline of what you want to say. Then simplify that. Make an even tighter statement of what you want to say and put it on index cards. Keep them where you can see them while you’re on the air.
- Know the answers to the interviewer’s questions. This should be easy, if you wrote them. If you don’t know what the questions are, the index card tip above will suffice. Index cards and winging it—the ultimate terror.
- An hour before the program, take a walk. If you live in an area where you might be mugged or something, don’t take a walk.
- Breathe slowly and deeply and keep breathing until the show is over. Then you can stop breathing.
- Hook up an old-fashioned, wired-connection telephone and use it. Wireless phones don’t record very well. Don't use a cellphone, ever.
- If you have any spiritual practice, now’s the time to haul it out: prayer, mantra repetition, meditation, tickling dog’s tummies. A trip to Lourdes (allow enough time).
- Play music you find spiritual uplifting and/or calming before you go on.
- Place an object or photo that has spiritual significance to you where you can see it during the interview. A saint’s picture, a sacred image, an icon. An archetypal object. Stare at it while you’re being interviewed. Maybe you’ll hypnotize yourself.
- The first three minutes establish the success of your interview, so make them good.
- DO NOT BREATHE INTO YOUR PHONE. Listeners will hear it and think you are an ax murderer. Don’t forget about this. You will feel dumb when you hear yourself panting later. Heavy breathing can ruin a good interview.
- If the person interviewing you is friendly, relax and have fun. If the person is hostile, you can tell him that you’re not the person who wrote the book he’s talking about. You wrote Billy the Bison Barfs. Where are his questions about that? You can also cry. That works for women. I don’t know about guys. Alternatively, you can start karate classes two years before your interview. They probably teach stuff that would help there. Ditto for assertiveness training.
- When it’s over, thank God and make a donation to your favorite charity. Schedule your next radio interview while you’re still high. (You’re gonna do great. Trust me.)
- Major meds—name your favorite—really help. Instead of doing all of the above, you can drug yourself before the show. Just make sure that your speech isn’t slurred and you can remember your name.
Even if you everything I’ve taught you, nothing will really help. Radio stage fright is your body telling you that you are alive and facing a situation that could cause great humiliation. Or triumph.
Tomorrow morning at 7:35 AM, a nuclear holocaust will destroy the planet. Two people carry the keys to survival: Jeremy Edgarton, a 16-year-old, tech genius and revolutionary; and Eliana, the angelic, off-world traveler sent to Earth on a mission to prevent her planet's death.
Welcome to a future world only heartbeats from our own.
By the late 22nd century, the Great Recession of the early 2000s has lead to a worldwide police state. A ruined United States barely functions. Government control masks chaos, dissenters are sent to camps, and technology is outlawed. War rages while the authorities proclaim the Great Peace.
It's New York City on the eve of nuclear Armageddon.
Join Eliana & Jeremy as they begin a quest to save two doomed planets . . . and find each other.
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What awaits them makes their worst dreams look like Bollywood frolics. Right away, they find out that evolution can work for evil as well as good. Going home requires a battle more deadly than any they've fought.
The returning characters appear from everywhere, in ways you'd never believe. Some of them you've met before; some are new to Tales from Earth's End.
Bud Creeman and Wesley Silverhorse, characters from author Sandy Nathan's novel, Numenon: A Tale of Mysticism & Money, drop in from the year 2015, thousands of years before the time of Lady Grace. Bud and Wes provide needed Native American skills and spiritual power.
Shining through it all is Lady Grace, a phoenix rising from the devastation of her civilization, unrecognizable as the person she once was.
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Genre – Metaphysical Science Fiction
Rating – R
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